Yang Jiecang

  • About
  • Biography
  • Exhibitions
    • Group Exhibition
    • How Art Museum
  • Artworks
    • Painting
    • Video
    • Installation
  • Articles
  • Yang Jiecang
  • Birthdate: 1956
    Birthplace: China | Guangdong
    Gender: Male
    About:
    Yang Jiechang's artistic practice as a calligrapher-painter turned global social actor inverts the contemporary Chinese art world norm of using Western avant-garde forms to critique contemporary Chinese society. He accomplishes this by adopting the performative expressivity of the traditional brush and the paradoxical dialectics of pre-modern Daoist skeptics to expose the underlying social and cultural forces that shape our contemporary global reality.

    In 1989 he participated in both the seminal Contemporary Chinese Artexhibition at the National Art Museum in Beijing and the equally paradigm-changing exhibition Les Magiciens de la Terre at the Centre Georges Pompidou where he created his artworks on site. Since then Yang has exhibition widely throughout Europe and Asia and was featured in both the China Avant-garde exhibition at the Haus der Kulturen der Welt in Berlin (1993) and in the 50th edition of the Venice Biennale (2003). In the past five years, Yang's work has been included in numerous international exhibitions, including the Lyon Biennial (Lyon, 2009), Qui a peur des artistes? Une sélection d'oeuvres de la Fondation François Pinault (Musée de Dinard, Dinard, 2009), Hareng Saur: Ensor et Contemparain (MSK and S.M.A.K., Ghent, Belgium, 2010), The World Belongs to You (Palazzo Grassi, Fondation F. Pinault, Venice, 2011), Reactivation – Shanghai Biennale (Shanghai, 2012), Yuandao (Hong Kong Museum of Art, Hong Kong, 2013) and Ink Art: Past as Present in Contemporary China (Metropolitan Museum, New York, 2013-2014, and most recently Advance through Retreat (Rockbund Art Museum, Shanghai, 2014).
    Education:
    1978 -1982    Studied Chinese painting in Guangzhou Academy of Fine Arts, Guangzhou, China
    1974 -1978    Studied paper mounting, folk-art and traditional Chinese painting at the Foshan Folk Art Research I
    1982 -1989    Taught at Chinese Painting Department, Guangzhou Academy of Fine Arts, Guangzhou, China
  • Biography
  • AWARDS & HONORS 

    2003 Residency at Kunstwerke, Berlin, Germany, supported by the French Association for 

    Artistic Action (AFAA)

    1990 Pollock Krasner Foundation Grant, New York, USA

    SOLO EXHIBITIONS 

    2021 Yang Jiechang: Tale of the 11th Day, Galerie de Sèvres, Paris, France

    2019 3 Souls 7 Spirits, Shanghai Minsheng Art Museum, Shanghai, China

    From Heaven to Hell, Beyond Gallery, Taipei, Taiwan

    2018 Six Two Zen, Tang Contemporary Art, Beijing, China

    Seed Garden, Boxes Art Museum, Shunde, China

    Presence and Absence: Nature in French Landscape Garden and Chinese Garden, Boxes 

    Art Museum, Shunde, China

    2017 Mustard Seed Garden — Mayland Lake, Art House, Guangzhou, China

    Earth Roots: Yang Jiechang Paintings, 1985-1999, INK studio, Beijing, China

    Yang Jiechang: This is still Bird and Flower Painting, Alisan Fine Arts, Hong Kong, China

    Yang Jiechang: The Whip, Chambers Fine Art, New York, USA

    2016 On Earth as in Heaven, Galerie Jeanne Bucher Jaeger, Paris, France

    2015 Underground Flowers — Yang Jiechang, Muséum National d'Histoire Naturelle, Paris, 

    France

    Good Morning Hong Kong, Hong Kong Central Library, Hong Kong, China

    2014 Yang Jiechang — I often do bad things, Deichtorhallen/Phoenixhalle, Hamburg, Germany

    Yang Jiechang: Die Rechnung bitte, ARNDT Berlin, Berlin, Germany

    Yang Jiechang: This Is Still Landscape Painting, INK studio, Beijing, China 

    2012 King of Canton — Yang Jiechang, Hanart TZ Gallery, Hong Kong, China

    Tale of the 11th Day, OCT Art & Design Gallery, Shenzhen, China

    2011 Stranger than Paradise, La Criée centre d'art contemporain, Rennes, France

    Tale of the 11th Day, Galerie Jaeger Bucher, Paris, France

    Tale of the 11th Day, Tang Contemporary Art Center, Beijing, China

    2010 New Ink Art by Yang Jiechang, Hong Kong Convention & Exhibition Center, Hong Kong, 

    China

    Yang Jiechang, Galerie Conrads, Düsseldorf, Germany

    Underground Flowers, Musée d'Histoire Naturelle de Rouen, Festival Automne en 

    Normandie, Rouen, France

    2009 On Ascension, Galerie Jaeger Bucher, Paris, France

    Territoria, special project, Associazione Culturale Cantiere d'Arte Alberto Moretti-Galleria 

    Schema, Prato, Italy

    2008 No–Shadow Kick, Shanghai Duolun Museum of Modern Art, Shanghai, China

    In God We Trust, Department of Chemical and Systems Biology, Stanford University 

    Medical School, Stanford, Palo Alto, USA

    2007 The Most Beautiful Country of China: New Works by Yang Jiechang, Hanart TZ Gallery, 

    Hong Kong, China

    2006 Idylls, Grace Li Gallery, Zürich, Switzerland

    2005 Black – Extreme – Vigorous – Figurative, Shenzhen Fine Art Institute, China

    Memorandums, Galerie Jeanne Bucher, Paris, France

    Who Occupies the Space?, Isola d'Arte, Milan, Italy

    2003 Lohkchat!, Centre A, Vancouver, Canada

    For Emily, Gallery 4A, Sydney, Australia

    2002 Der längste Tag, Kunstverein Nürtingen, Nürtingen, Germany

    2001 Enlightened Blackness: Ink Paintings by Yang Jiechang, Alisan Fine Arts; University 

    Museum and Art Gallery, University of Hong Kong, Hong Kong, China

    Double View, Galerie Jeanne Bucher, Paris, France

    100 Layers of Ink, Eslite Gallery, Taipei, Taiwan

    2000 You – Double View, Project Room, ARCO 2000, Madrid, Spain

    1999 Another Turn of the Screw, CAFA Art Museum, Beijing, China

    Recreate "Dong Cun Rui", Eslite Gallery, Taipei, Taiwan

    1998 Your Customs – Our Customs, Altes Zollamt, Frankfurt, Germany

    1996 Chinese ink painting on paper, Galerie Jeanne Bucher, Paris, France

    1995 Solo exhibition, Galerie Samuel Lallouz, Montreal, Canada

    Solo exhibition, Galerie Alice Pauli, Lausanne, Switzerland

    1994 Cut the Fingernails from My Body, Le Faubourg - l'espace d'art contemporain, Strasbourg, 

    France

    1993 Rencontres dans un couloir, Private apartment of Hou Hanru, Paris, France

    1992 Troisième demeure mondiale, Frankfurt, Germany

    Solo exhibition, Gallery Turbulences, New York, USA

    Solo exhibition, Gallery Jeanne Bucher, Paris, France

    1991 Works on Paper, Frith Street Gallery, London, UK

    1990 Salon de Mars, booth of the Gallery Jeanne Bucher, Paris, France

    Solo exhibition, Gallery Jeanne Bucher, Paris, France

    Voyage au Mexique, Centro Cultural Arte Contemporaneo, Mexico City, Mexico

    1988 Exhibition of Star No. 9, Central Park Gallery, Canton Artists Association, Guangzhou, 

    China

     

    GROUP EXHIBITIONS 

    2021 Imagerie de Lingnan, After Hill Art Center, Guangdong, China

    Ink Dreams: Selections from the Fondation INK Collection, Los Angeles County Museum of 

    Art, Los Angeles, USA

    Ink City, Tai Kwun Contemporary, Hong Kong, China

    2020 Ink Sky: Exhibition of Chinese Ink Art Year Book 2020, An Art Museum, Beijing, China

    Waves and Echoes: A Process of Re-contemporarization in Chinese Art Circa 1987 

    Revisited, Inside-out Art Museum, Beijing, China

    2019 Contemporary Chinese Art Exhibition: Arts of Asia Gallery Reopen, Brooklyn Museum, 

    New York, USA

    10th International Ink Art Biennial of Shenzhen: Ink at Current, Shenzhen Fine Art Institute, 

    Shenzhen, China

    5th Collector's Contemporary Collaboration, Hong Kong Arts Centre, Hong Kong

    2018 New Ink Art in China 1978-2018, Minsheng Art Museum, Beijing, China

    Sprachgefuhl, Parasite, Hong Kong, China

    Splendors of the Sun and Moon, Museo Querinei Stampalia Fondazione, Venice, Italy 

    Beyond the Scenery, OCT Loft exhibition, Shenzhen, China 

    Approach Spirits, N3 Contemporary, Beijing, China

    Post-Brushwork Era: Chinese Landscapes, Guangdong Museum of Art, Guangzhou, China

    2017 Art and China after 1989: Theater of the World, the Guggenheim Museum, New York, 

    USA

    PASSION DE L'ART: Galerie Jeanne Bucher Haeger depuis 1925, Musée Granet, Aix-en

    Provence, France

    Corps et Ames – Un regard prospectif/Body and Spirit — A prospective gaze, Galerie 

    Jeanne Bucher Jaeger, Paris, France

    China Now: New Literati Art, INK studio at ART100, New York, U.S.A

    2016 Ink and the Mind, INK studio, Beijing, China

    Fragmentary Narratives, Stanford Art Gallery, Stanford, USA

    Carambolages, Grand Palais, Paris, France

    About Painting, Galerie Jeanne Bucher Jaeger, Paris, France

    2015 Fragmentary Narratives, Changsha Museum, Changsha, China

    A Hundreds Years of Shame — Songs of Resistance and Scenarios for Chinese Nation, 

    Para Site, Hongkong, China

    2014 Advance through Retreat, Rockbund Art Museum, Shanghai, China

    China's Changing Landscape, Nordic Watercolor Museum, Sweden

    Ink and the Body, INK studio, Beijing, China

    2013 Zizhiqu / Autonomous Regions, Times Museum, Guangzhou, China

    From Gesture to Language, Rockbund Art Museum, Shanghai, China

    The Origin of Dao: New Dimension in Chinese Contemporary Art, Hong Kong Museum of 

    Art, Hong Kong, China

    Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, New 

    York, USA

    2012 Reactivation: The 9th Shanghai Biennale, Shanghai, China

    Clouds, The Museum of Sketches for Public Art, Lund, Sweden

    Sehnsucht, Castel Gaasbeeck, Belgium

    2011 Death Matters, Tropenmuseum, Amsterdam, Netherlands

    The World Belongs to You, Palazzo Grassi, Fondation F. Pinault, Venice, Italy

    Tracing the Milky Way, Tang Contemporary Art Center, Beijing, China

    2010 Le Jardin Emprunté, Jardin du Palais-Royal, Paris, France

    Hareng Saur: Ensor et l'art contemporain, MSK and S.M.A.K., Ghent, Belgium

    L'Océan, Espace Bellevue, Biarritz, France

    Grande Veillée d'Automne en Normandie, Rouen, France

    30 Years of Contemporary Chinese Art, Minsheng Art Museum, Shanghai, China

    Art for the World: The Expo-The City of Forking Paths, Expo Boulevard, Shanghai, China

    2009 Against Exclusion: 3rd Moscow Biennial, Garage Museum of Contemporary Art, Moscow, 

    Russia

    10th Lyon Biennale: The Spectacle of the Everyday, Musée d'art contemporain de Lyon, 

    Lyon, France

    Qui a peur des artistes ? Une sélection d'œuvres de la Fondation François Pinault, Musée 

    de Dinard, France

    Time Versus Fashion, Kunstverein Nürtingen, Nuremberg, Germany

    Becoming Intense, Becoming Animal, Becoming..., Heidelberg University, Heidelberg, 

    Germany

    Form, Idea, Essence and Rhythm: New Aspects of Contemporary East Asian Ink Painting, 

    Taipei Fine Arts Museum, Taipei, Taiwan, China

    Broadsheet Notations: Epilogue, Tang Contemporary Art Center, Hong Kong, China

    2008 Onda Anomala — Manifesta 7, Trento, Italy

    Our Future: The Guy & Myriam Ullens Foundation Collection, special project, UCCA, 

    Beijing, China

    OPEN/ INVITED e v+ a 2008: Too Early For Vacation, RV&A, Limerick City, Ireland

    The 3rd Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China

    Expansion – Résonance, Galerie Jaeger Bucher, Paris, France

    New Ink Art: Innovation and Beyond, The Hong Kong Museum of Art, Hong Kong, China

    2007 The 10th International Istanbul Biennial, Istanbul Foundation for Culture and Arts, Istanbul, 

    Turkey

    '85 New Wave Movement: The Birth of Chinese Contemporary Art, UCCA, Beijing, China

    Metamorphosis: The Generation of Transformation in Chinese Contemporary Art, Tampere 

    Art Museum, Tampere, Finland

    Yan Pei-Ming, Gu Dexin, Yang Jiechang, Red Mansion Foundation, London, UK

    Made in China, Louisiana Museum, Humlebaek, Denmark

    Who Do You Think You Are?, Tang Contemporary Art Center, Beijing, China

    2006 Liverpool Biennial, Liverpool, UK 

    Laboratoire pour un avenir incertain, La force de l'art: 1st Paris Triennial, Grand Palais, 

    Paris, France

    La revoluzione siamo noi, Isola Art Center, Milan, Italy

    Capolavoro, Palazzo Primavera, Terni, Italy

    Infifiltration – Idylls and Visions, Guangdong Museum of Art, China

    Surplus Value, Tang Contemporary Art Center, Beijing, China

    The 5th International Ink Painting Biennial of Shenzhen: Taste, Guan Shanyue Art Museum, 

    Shenzhen, China

    Accumulation: Canton Express Next Stop, Tang Contemporary Art Center, Beijing, China

    Microcosm, Macao Museum of Art, Macao, China

    2005 Beyond, Second Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China

    Layered Landscapes, Stanford Art Gallery, Stanford, USA

    Emergency Biennial, Palais de Tokyo, Paris, France; Grozny, Chechen Republic

    Experimental Ink, Museum of the National Taiwan University of Science and Technology, 

    Taipei and Taichung, Taiwan, China

    Beyond Boundaries: Shanghai Gallery of Art 04'-05', Shanghai Gallery of Art, Shanghai, 

    China

    2004 Nuit Blanche, Paris, France

    Stopover Hong Kong, Hanart TZ Gallery, Hong Kong, China

    Le moine et le démon, Musée d'Art Contemporain de Lyon, Lyon, France

    A l'est du sud de l'ouest, Villa Arson, Nice/Credac Sète, Nice, France

    Odyssey(s) 2004, Shanghai Gallery of Art, Shanghai, China

    All under Heaven, Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium

    GAP, Heidelberger Kunstverein, Heidelberger, Germany

    The 4th International Ink Painting Biennial of Shenzhen, Shenzhen Art Museum; Guan 

    Shanyue Art Museum, Shenzhen, China

    Open: The Inaugural Exhibition of Grace Alexander Contemporary Art, Grace Alexander 

    Contemporary Art Gallery, Zurich, Switzerland

    2003 Zone of Urgency: 50th Venice Biennale, Venice, Italy

    The Fifth System: 5th International Shenzhen Sculpture Exhibition, China

    Playing at Home/Playing Away: The Maze of Reality, Vitamin Creative Space, Guangzhou, 

    China

    2002 Pause: Kwangju Biennial, Kwangju, South Korea

    The 1st Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China

    The 3rd International Ink Painting Biennial of Shenzhen: Metropolis Ink Painting, Guan 

    Shanyue Art Museum, Shenzhen, China

    Paris-Pékin, Espace Cardin, Paris, France

    2001 Chengdu Biennale 2001, Museum of Contemporary Art Chengdu, Chengdu, China

    Towards New Image: 20 Years of Chinese Contemporary Art, The National Art Museum of 

    China, Bejing, China; The Shanghai Art Museum, Shanghai, China; Sichuan Art Museum, 

    Chengdu, China; Guangdong Museum of Art, Guangzhou, China

    1st Space for Contemporary Ink Work — China: 20 Years of Ink Experiment 1980-2001, 

    Guangdong Museum of Art, Guangzhou, China

    Centre de Refuge, Centre International de Poesie, Marseille, France

    2000 Paris pour Escale, Musée d'art Moderne de la Ville de Paris, Paris, France

    Continental Shift, Musée d'art Moderne et d'art Contemporain, Liège, Belgium

    A Portrait, Agnès B. Gallery, New York, USA

    Fuori Uso 2000: the Bridges, Pescara, Italy

    The 2rd International Ink Painting Biennial of Shenzhen, Guan Shanyue Art Museum, 

    Shenzhen, China

    1999 Art in March-Legend 99, Nantou, Taiwan, China

    ASIART 99, Biennale d'arte contemporanea, Museum of Contemporary Art at the Villa 

    Croce, Genova, Italy

    Magnetic Writing / Marching Ideas: Works on Paper, IT Park Gallery , Taipei, Taiwan

    1998 Les magiciens de la terre, Anina Nosei Gallery, New York, USA

    4696/1998: Contemporary Art from China, Lehmann Maupin Gallery, New York, USA

    Shanghai Biennale 1998, Shanghai Art Museum, Shanghai, China

    The 1st International Ink Painting Biennial of Shenzhen, Guan Shanyue Art Museum, 

    Shenzhen, China

    1997 In Between Limits, Sonje Museum of Contemporary Art, Kyongju, South Korea

    Between the Sky and the Earth: Five Contemporary Chinese Artists around the World, 

    University Museum and Art Gallery, The University of Hong Kong, Hong Kong, China

    Uncertain Pleasure, Art Beatus Gallery, Vancouver, Canada

    Art Chinois Contemporain, Espace Belleville, Paris, France

    1996 East–West, Heidelberger Kunstverein, Heidelberg, Germany

    1995 West–Östliche Kontakte–Yang Jiechang, Young-Hyang Lee, Teruko Hiramatsu, 

    Heidelberger Kunstverein, Heidelberg, Germany

    Über Höderlin, Hölderlinturm, Tübingen, Germany

    1994 Out of the Centre, Pori Art Museum, Pori, Finland

    China Avant-Garde: Counter-Currents in Art and Culture, Haus der Kulturen der Welt, 

    Berlin, Germany; Kunsthal Rotterdam, Rotterdam, The Netherlands; The Museum of 

    Modern Art Oxford, Oxford, UK; Kunsthallen Brandts Klædefabrik, Odense, Denmark

    1993 Coalition, Centre for Contemporary Arts, Glasgow, UK

    Silent Energy: New Art from China, The Museum of Modern Art, Oxford, Oxford, UK

    Mao's Untamed Children, Museum für Kunsthandwerk, Frankfurt, Germany

    1992 My Home Is Your Home, The International Artists' Museum, Lodz, Poland

    Looking for the Tree of Life — Journey to the Asian Contemporary Art, Saitama Museum of 

    Modern Art, Saitama, Japan

    1991 Exceptional Passage, Museum City Project, Fukuoka, Japan

    1990 Chine demain pour hier, Pourrières, France

    1989 Exhibition of Chinese Contemporary Art, National Art Museum of China, Beijing, China

    Les magiciens de la terre, Centre Georges Pompidou, Paris, France

    Today, Gallery Tokyo, Tokyo, Japan

     

    SELECTED COLLECTIONS 

    Brooklyn Museum, Brooklyn, USA

    Berkeley Art Museum, Berkeley, USA

    The World Bank, Washington, USA

    Rockefeller Foundation, New York, USA

    Los Angeles County Museum of Art, Los Angeles, USA

    Ministry of Culture, France

    M+ Museum, Hong Kong, China

    Hong Kong Museum of Art, Hong Kong, China

    University Museum and Art Gallery, The University of Hong Kong, Hong Kong, China

    Guangdong Museum of Art, Guangzhou, China

    Museum of Contemporary Art Chengdu, Chengdu, China

    Shenzhen Fine Art Institute, Shenzhen, China

    Fukuoka Art Museum, Fukuoka, Japan

    Sonje Museum of Contemporary Art, Kyongju, Korea

    Museum of Arts and Crafts, Hamburg, Germany

    Annie Wong Art Foundation, Vancouver, Canada

    Swatch Collection, Switzerland

    François Pinault Foundation, France

    Ullens Foundation, Switzerland

    Yageo Art Foundation, Taiwan

    Eslite Inc., Taiwan


  • Exhibitions
    • You as Me, Hold the Gaze
      Feb 17, 2023 - Oct 12, 2023
      Curator: Xu Tianyi
      Artists: Markus Lüpertz, aaajiao, LLND, Oreet Ashery, Darren Almond, Hu Yun, Carsten Nicolai, Li Binyuan, Lee Yongbaek, Lin Ke, Lin Tianmiao, Liu Wei, Shi Yong, Lu Lei, Tong Wenmin, Tobias Rehberger, Yang Jiecang, Ye Linghan, Yu Ji, Zhang Peili, Zhou Xiaohu, Li Liao, Lee Bul
      • Group Exhibition, How Art Museum
  • Artworks
  • Articles
    • You as Me, Hold the Gaze

      My age, my beast, who will ever

      Look into your eyes.

      And with his own blood glue together

      The backbones of two centuries?

      Osip Mandelstam (1891-1938) wrote down the poem The Age (1923) at the beginning of the 20th century. While expressing his visions and hopes for the age, it also shed light on the conflicts between "poet and his time". In another poem he wrote later, it read: "No, I am no one's contemporary". (1924)

      The Age as quoted in Giorgio Agamben's What Is the Contemporary? and Alain Badiou's The Century . In What Is the Contemporary?, Agamben explained "The contemporary is he who firmly holds his gaze on his own time so as to perceive not its light, but rather its darkness. All eras, for those who experience contemporariness, are obscure." Badiou, when quoting the poem at the end of the 20th century, pointed out that Mandelstam's "beast" as a newborn and fragile presence was doomed to be transient. What Badiou was trying to break was exactly this "backbone". 

      It is widely acknowledged that the 20th century was a century of division. And to gain insights into such "division" takes not only knowledge of what happened in this century, but also of what the people of this century were thinking. If we merely label things that happened without probing into what the people of the century were thinking, we can neither get to truly know the present nor prevent things from repeating themselves. In this same logic, this century would have nothing to with the "future" since its very beginning. 

      You and I as people of some experience of the contemporary are the minimum unit to constitute the complex and multi-layered veins of time of contemporaneity. Hence we shall not follow linear time to describe the nature of things. The exhibition on view, as celebration of the fifth anniversary of the HOW Art Museum (Shanghai), features over 30 pieces of installations and videos by more than 20 artists both at home and from abroad including Lee Bul, Liu Wei, Zhang Peili, Lin Tianmiao, Markus Lüpertz and Carsten Nicolai. Different from the usual curatorial approach that follows a linear timeline to present the works within museum collection, the exhibition follows the principle of "contemporary is he who firmly holds his gaze on his own time". Under the title "You as Me", "you" and "I" are the core of the dialogue with the space, to fill up the absence of subject and scene, reflect upon the tragedies of the century, build connections between contemporary events and past reference, define time from a sociological perspective, treat the "contemporary" as a dividing point between the past and the future, disrupt and reverse language on the cultural level through social installation, rethink of the cultural representations beyond the physical body to confront the fragmented digital world, and morph into an organic life form that cannot be written off in this digital world. 

      However, the attempt to construct non-linear histories through creative reassemblages of time is in itself trapped in the modern view of history. The underlying narratives among different works are merely judgements based on information fed to us from the outside. You and I need to firmly hold our gaze so as to perceive not its light, but rather its darkness.

    [Synopsis] You as Me, Hold the Gaze

    By Xu Tianyi 2023-06-13

    My age, my beast, who will ever

    Look into your eyes.

    And with his own blood glue together

    The backbones of two centuries?

    Osip Mandelstam (1891-1938) wrote down the poem The Age (1923) at the beginning of the 20th century. While expressing his visions and hopes for the age, it also shed light on the conflicts between "poet and his time". In another poem he wrote later, it read: "No, I am no one's contemporary". (1924)

    The Age as quoted in Giorgio Agamben's What Is the Contemporary? and Alain Badiou's The Century . In What Is the Contemporary?, Agamben explained "The contemporary is he who firmly holds his gaze on his own time so as to perceive not its light, but rather its darkness. All eras, for those who experience contemporariness, are obscure." Badiou, when quoting the poem at the end of the 20th century, pointed out that Mandelstam's "beast" as a newborn and fragile presence was doomed to be transient. What Badiou was trying to break was exactly this "backbone". 

    It is widely acknowledged that the 20th century was a century of division. And to gain insights into such "division" takes not only knowledge of what happened in this century, but also of what the people of this century were thinking. If we merely label things that happened without probing into what the people of the century were thinking, we can neither get to truly know the present nor prevent things from repeating themselves. In this same logic, this century would have nothing to with the "future" since its very beginning. 

    You and I as people of some experience of the contemporary are the minimum unit to constitute the complex and multi-layered veins of time of contemporaneity. Hence we shall not follow linear time to describe the nature of things. The exhibition on view, as celebration of the fifth anniversary of the HOW Art Museum (Shanghai), features over 30 pieces of installations and videos by more than 20 artists both at home and from abroad including Lee Bul, Liu Wei, Zhang Peili, Lin Tianmiao, Markus Lüpertz and Carsten Nicolai. Different from the usual curatorial approach that follows a linear timeline to present the works within museum collection, the exhibition follows the principle of "contemporary is he who firmly holds his gaze on his own time". Under the title "You as Me", "you" and "I" are the core of the dialogue with the space, to fill up the absence of subject and scene, reflect upon the tragedies of the century, build connections between contemporary events and past reference, define time from a sociological perspective, treat the "contemporary" as a dividing point between the past and the future, disrupt and reverse language on the cultural level through social installation, rethink of the cultural representations beyond the physical body to confront the fragmented digital world, and morph into an organic life form that cannot be written off in this digital world. 

    However, the attempt to construct non-linear histories through creative reassemblages of time is in itself trapped in the modern view of history. The underlying narratives among different works are merely judgements based on information fed to us from the outside. You and I need to firmly hold our gaze so as to perceive not its light, but rather its darkness.

    Related Artists aaajiao , LLND , Oreet Ashery , Darren Almond , Hu Yun , Lee Bul , Li Liao , Carsten Nicolai , Lee Yongbaek , Li Binyuan , Lin Ke , Lin Tianmiao , Liu Wei , Shi Yong , Markus Lüpertz , Lu Lei , Tong Wenmin , Tobias Rehberger , Yang Jiecang , Zhang Peili , Yu Ji , Ye Linghan , Zhou Wendou , Zhou Xiaohu ,









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