∧
∨
| Birthplace: | Japan | Toyama |
| Gender: | Male |
| About: | |
Born 1977 in Toyama. Lives and works in Kyoto. Tamura holds a doctoral degree from the Graduate School of Film and New Media, Tokyo University of the Arts, and a Bachelorʼs degree of Photography from Nihon University. He was a guest researcher for the Institut für Raumexperimente at the Berlin University of the Arts (2013-14). Tamura's work centers on installations and performances derived from existing images and objects. Using a uniquely reflective approach that transcends traditional artistic genres, Tamura not only sets out to convey a message to visitors from the privileged world of contemporary art, but also invites an unusual form of communication with the viewer. Tamura creates multilayered narratives, containing a mixture of fact and fiction, based on a wide range of sources from indigenous historical themes to well-known popular subjects. His recent exhibitions have included the solo shows Milky Mountain (Govett-Brewster Art Gallery, New Zealand, 2019), Hell Scream (Kyoto City University of Arts Art Gallery @KCUA, Kyoto, 2018) and G (Yuka Tsuruno Gallery, Tokyo, 2018), and the group shows Asian Art Biennial (National Taiwan Museum of Fine Arts, Taichung, 2019), Image Narratives: Literature in Japan (National Art Center, Tokyo, 2019), The Seven Lamps of the Art Museum (Hiroshima City Museum of Contemporary Art, Hiroshima, 2019), Where Am I?: The Art and Design of Signage (Toyama Prefectural Museum of Art & Design, Toyama, 2019), and Roppongi Crossing 2019: Connexions (Mori Art Museum, Tokyo, 2019), Busan Biennale (Museum of Contemporary Art Busan, Korea, 2018), Nissan Art Award 2017 (BankART Studio NYK, Yokohama, 2017), 2 or 3 Tigers (Haus der Kulturen der Welt, Berlin, 2017) and BODY/PLAY/POLITICS (Yokohama Museum of Art, 2016) |
|
| Birthplace: | Japan | Toyama |
| Gender: | Male |
| About: | |
Born 1977 in Toyama. Lives and works in Kyoto. Tamura holds a doctoral degree from the Graduate School of Film and New Media, Tokyo University of the Arts, and a Bachelorʼs degree of Photography from Nihon University. He was a guest researcher for the Institut für Raumexperimente at the Berlin University of the Arts (2013-14). Tamura's work centers on installations and performances derived from existing images and objects. Using a uniquely reflective approach that transcends traditional artistic genres, Tamura not only sets out to convey a message to visitors from the privileged world of contemporary art, but also invites an unusual form of communication with the viewer. Tamura creates multilayered narratives, containing a mixture of fact and fiction, based on a wide range of sources from indigenous historical themes to well-known popular subjects. His recent exhibitions have included the solo shows Milky Mountain (Govett-Brewster Art Gallery, New Zealand, 2019), Hell Scream (Kyoto City University of Arts Art Gallery @KCUA, Kyoto, 2018) and G (Yuka Tsuruno Gallery, Tokyo, 2018), and the group shows Asian Art Biennial (National Taiwan Museum of Fine Arts, Taichung, 2019), Image Narratives: Literature in Japan (National Art Center, Tokyo, 2019), The Seven Lamps of the Art Museum (Hiroshima City Museum of Contemporary Art, Hiroshima, 2019), Where Am I?: The Art and Design of Signage (Toyama Prefectural Museum of Art & Design, Toyama, 2019), and Roppongi Crossing 2019: Connexions (Mori Art Museum, Tokyo, 2019), Busan Biennale (Museum of Contemporary Art Busan, Korea, 2018), Nissan Art Award 2017 (BankART Studio NYK, Yokohama, 2017), 2 or 3 Tigers (Haus der Kulturen der Welt, Berlin, 2017) and BODY/PLAY/POLITICS (Yokohama Museum of Art, 2016) |
|