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| Gender: | Female |
| About: | |
Zhang Wenxin (b. 1989) is an artist now living and working in Hangzhou. She received her MFA from California College of the Arts (2013). She sees herself as a terrain builder. Her work is not to build landscapes and wonders, but to simulate the intricate terrain between human and non-human minds. She uses images, films, installations, and soundscapes to bring forth perceptual journeys that guide the viewer to dive into the strata where mechanical time and magical time intertwine. Her solo exhibitions include: Notes of the Hollow, MUD Gallery, Shanghai (2022); SubSurfacesaṃsvedaja, Imago Kinetics, Hangzhou (2020); Filling the Klein Bottle (as an artist duo with Xuan Ye), InterAccess, Toronto (2020). Her works have been shown at Shanghai Biennale (2023), Beijing Biennial (2022), Guangzhou Image Triennial (2011), OCAT Biennial (2021), MUTEK Electronic Festival (2022), Breda Photo (2020), etc. |
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| Gender: | Female |
| About: | |
Zhang Wenxin (b. 1989) is an artist now living and working in Hangzhou. She received her MFA from California College of the Arts (2013). She sees herself as a terrain builder. Her work is not to build landscapes and wonders, but to simulate the intricate terrain between human and non-human minds. She uses images, films, installations, and soundscapes to bring forth perceptual journeys that guide the viewer to dive into the strata where mechanical time and magical time intertwine. Her solo exhibitions include: Notes of the Hollow, MUD Gallery, Shanghai (2022); SubSurfacesaṃsvedaja, Imago Kinetics, Hangzhou (2020); Filling the Klein Bottle (as an artist duo with Xuan Ye), InterAccess, Toronto (2020). Her works have been shown at Shanghai Biennale (2023), Beijing Biennial (2022), Guangzhou Image Triennial (2011), OCAT Biennial (2021), MUTEK Electronic Festival (2022), Breda Photo (2020), etc. |
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